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Alan Gough
Contemporary Landscapes
We have additional works by this artist in our inventory. Please inquire.
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Lyndon Lineup, 2007
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Rte #23 Divide, 2006
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Approach to the Hills, 2007
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Easterly Flow, 2006 |
Redbud Time, 2006
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Pond Pads, 2006
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Lake Morning Sun, 2006 |
Black Hill Redbud, 2006 |
Anderson Arrangement, 2006
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Right at the Edge, 2006
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Next Ridge Over, 2006
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Paint Creek October, 2006 |
North Fork Summer Clouds, 2006 |
Coming from the East, 2006
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North from Tarlton, 2006
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Rainbow Farm Fencing, 2007
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Lining the Lake, 2006 |
Ridge Run, 2006
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Turning at Alum Cliffs, 2006
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Happy Hill Thanksgiving, 2007
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Lake Stand, 2006 |
Post Pattern, 2006
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Up River, 2006
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Through the Valley, 2006
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Leading In, 2007
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Spring Morning Sun, 2007
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Confluence Current, 2007 |
Stoney Creek Weave, 2006
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Paint Creek Summer Shore, 2006 |
Down from Gitchigumi, 2007
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Back Barn Cover, 2007
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Plain View, 2007
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Covering the Lane, 2006 |
Opposite Side, 2006
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Sweeping North, 2006
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West from Orr, 2007
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North #159, 2007
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The Way to Amanda, 2006
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Bales in the Barn, 2006 |
Turning on #50, 2007
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Back Home, 2006 |
Maple Round, 2007
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Anderson Side Light, 2007 |
Confluence Evening, 2006
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Hillside Spring, 2006-2007 |
Norman Profile, 2006
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Anderson Crop, 2006
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Autumn Afternoon Cast, 2006
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Easterly Flow, 2006 |
Introduction
Jim and I are honored to be representing Alan Gough who
has been a visual poet of the Ohio landscape, in all its guises, for
nearly 50 years. His paintings have spare, architectonic pictorial
designs that lend a quiet, contemplative authority to his art that
transcends the mere documentation of nature. His mastery of the nuances
of light, space, texture, and color is combined with the evocation of
the physicality and "sweep" of the landscape. He captures a
palpable spirit of a place and of its inhabitants.
Critical Excerpts
"With great sensitivity for its mood and a sharp edge for its
pecularities, Gough captures its many faces in paintings that are
remarkably strong for all their lyricism."
"At the same time,
Gough adheres strictly to geometrical divisions of space in the composition…
Turned on their sides or placed upside down, they still would be fascinating
paintings."
Jacqueline Hall,
The Columbus Dispatch
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