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James R. Hopkins (1877-1969)
"Cave Watch", c. 1915-17
Oil on canvas
32 ½ x 27 ½ inches
Signed lower right

Sold

Silas Martin (1841-1906)
"Still Life with Apples", c. 1880's
Oil on canvas
12 x 20 ¼ inches

On Hold

George Bellows (American, 1882-1925)
“Emma and Marjorie on a Sofa”, 1921
Lithograph
10 ¼ x 8 ¼ inches
Annotated lower left: Bolton Brown, Imp.
Signed lower right: Geo. Bellows
Initialed in plate lower right: GB
Edition of 44
Mason catalogue raisonne no. 102

P.O.R.

George Wesley Bellows (1882-1925)
"Counted Out, First Stone", 1921
Lithograph on China paper
12 ⅜ x 11 ⅛ inches
Annotated by printer, titled and signed "G. Bellows"
Mason catalogue raisonne #: 94 exhibition: ____

P.O.R.

Elijah Pierce (1892-1984)
"Buzzard", 1948
Carved and painted wood relief mounted on panted corrugated cardboard
16 x 12 ⅞ inches
Signed and date verso: E. Pierce 1948:

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William Hawkins (1895-1990)
"Hurry Call", c.1982
Enamel with cornmeal on panel
24 x 47 1/2 inches
Signed lower portion of painting: WILLIAM L HAWKINS and annotated "JULY 27, 1895".

P.O.R.

Emerson Burkhart (1905-1969)
"Street Scene, Near East Side (Young Boy)", 1956
Oil on canvas
22 x 32 inches
Signed lower left: Burkhart 56 and on verso: EB Sept 56: Dated Sept. 1 1956 EB on verso

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Emerson Burkhart (1905-1969)
"Evening Shadows", 1957
Oil on canvas
23 x 30 inches
Signed lower right: Emerson Burkhart 57: Dated verso: Aug 29 1956 3:30 pm
Butler Institute label on back from 1957 exhibition

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Emerson Burkhart (1905-1969)
"Green House with Truck", 1951
Oil on canvas
22 ¼ x 27 inches
Signed lower right: EMERSON C BURKHART (and license plate reads- ECB51)

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Charles Burchfield (1893-1967)
"Modernistic Pattern", 1927
Wallpaper swatch
30 x 20 inches
:Birge #3960

P.O.R.

Charles Burchfield (1893-1967)
"Birches", 1921
Wallpaper swatch
30 x 20 inches
Birge #1186

P.O.R.

Roman Johnson (1917-2005)
"Houses", 1943
Oil on canvas
24 x 29 inches
Signed Lower left: 1943 ROMAN

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Robert Chadeayne (1897-1981)
"Readfield, Maine"
Oil on canvas
26 x 30 inches
Labeled on verso

P.O.R.

Roman Johnson (1917-2005)
"East Side Street Scene (Spirit Temple)", circa 1960s
Oil on canvas
24 x 52 inches
Signed lower right: ROMAN and verso: ROMAN 561 E Spring

P.O.R.

Roman Johnson (1917-2005)
"Urban Scene with Mills", circa 1940s
Oil on canvas
30 x 49 inches
Signed : ROMAN

P.O.R.

Ray Kinsman-Waters (1887-1962)
"Le Mans Street Scene", 1919
Drawing
8 x 5 inches

P.O.R.

Ray Kinsman-Waters (1887-1962)
"Thanksgiving Dinner" c. 1930s
Drawing
9 x 11 3/4 inches

P.O.R.

Ray Kinsman-Waters (1887-1962)
"Street Scene", c. 1919
Drawing
5 1/4 x 8 inches
Signed lower right: Ray Kinsman-Waters

P.O.R.

Margaret Bourke-White (1904-1971)
"Welding Tire Rims, International Harvester", 1933
Platinum print
16 x 20 inches
Edition: c. 50
Printed: 1999
Embossed and stamped on verso – LIFE (limited edition print in association with the estate of Margaret Bourke-White)

P.O.R.

Berenice Abbott (1898-1991)
"Tri-Boro Barber School, 264 Bowery", 1935
Vintage gelatin silver print, printed circa 1935
9 7/8 x 7 7/8 inches
Titled, dated and annotated in pencil with photographer's credit stamp on print verso.

P.OR.

Edward Weston* (1886-1958)
"Armco Steel,Ohio",1922
*Photo taken in Ohio when visiting his sister.
Gelatin silver print mounted on board
9 3/8" *7 3/8 " inches
Signed and printed by Cole Weston

P.O.R.

Margaret Bourke-White (1904-1971)
"Industrial scene, giant hopper", c.1930s
Vintage, toned gelatin silver print; printed c.1930s
13 3/8 x 9 3/8 inches
Mounted. Signed in pencil on mount recto. Photographer's credit stamp on mount verso.

P.O.R.

Ray Kinsman-Waters (1887-1962)
"Woman with Braided Hair", 1934
Monotype on paper
11 ¼ x 10 inches
Signed and dated lower right: Ray Kinsman-Waters / 1934

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Lucius Kutchin (1901-1936)
"Two Boys", circa 1930-35
Oil on board
18 x 20 inches

P.O.R.

Lucius Kutchin (1901-1936)
"New Mexico Landscape (Atalaya)", c. 1936
Oil on canvas
19 x 23 inches

Sold

Ralph Fanning (1889-1971)
"Shoe Bazaar, Assuan", c. 1930
Watercolor on paper
12 3/8 x 9 3/8 inches
Signed and titled lower right: “Shoe Bazaar Assuan Ralph Fanning”

P.O.R.

Alice Schille (1869-1955)
"Dutch Village", c. 1903
Watercolor on paper
8 ½ x 11 inches
Signed lower right: Alice Schille

On Hold

Alice Schille (1869-1955)
“Ranchos de Taos, Adobe House in the Distance”, circa 1919-20
Watercolor
18 x 21 inches
Estate stamped lower left: A. Schille

P.O.R.

Alice Schille (1869-1955)
“Cathedral at Dusk”, c. 1910
Watercolor on paper
6 ¼ x 5 ½ inches
Signed lower right: A. Schille

P.O.R.

Alice Schille (1869-1955)
"New Mexico Hills (Winding Road)", c. 1926
Watercolor on paper
5 x 6 ⅛ inches
Signed lower right: A. Schille

P.O.R.

Alice Schille (1869-1955)
"Sunlit House", circa 1916-18
Watercolor
5 x 6 inches
Signed lower right: A. Schille

P.O.R.

Alice Schille (1869-1955)
"Morning at the Beach", Circa 1916-18
4 ¼ x 5 ¼ inches
Signed Lower right: A. Schille

P.O.R.

Alice Schille (1869-1955)
"Mother and Child in Archway, Mexico", Circa 1923
Watercolor
4 ⅝ x 5 ¾ inches
Estate stamped: lower left: A. Schille

P.O.R.

Alice Schille (1869-1955)
"Dusk, Oaxaco", Circa 1934
Watercolor on paper
5 ⅛ x 6 ⅛ inches
Signed lower right: A. Schille

P.O.R.

Viktor Schreckengost (1906-2008)
"Jazz Bowl (The New Yorker)", circa 1931
9 ¼ x 17 ⅛ inches

P.O.R.

Clarence White (1871-1925)
"Untitled- Portrait of A Woman", Early 1900's
Vintage platinum print, printed early 1900s
8 ⅝ x 3 ⅝ inches

P.OR.

Alice Schille (1869-1955)
“Lisieux, France (Ancienne Église, Saint Jacques)”, c. 1914
Watercolor on paper
6 ¼ x 5 ¼ inches
Signed lower left: A. Schille; Titled verso on paper mount: Lisieux, France

P.O.R.

Alice Schille (1869-1955)
"Provence", circa 1914
Watercolor
17 1/2 x 20 1/2 inches
Estate stamped lower right: A Schille

P.O.R.

James R. Hopkins (1877-1969)
"Weeping Willows", circa 1910-14
Oil on canvas
40 x 32 inches
Signed lower left: James R. Hopkins

P.O.R.

Alice Schille (1869-1955)
"The Yellow Parasol", Circa 1916-18
Watercolor
4 ¼ x 5 ¼ inches

P.O.R.

Alice Schille (1869-1955)
“A Gray Market (Brittany)”, circa 1908
Watercolor
10 ½ x 14 ½ inches
Signed lower right: A. Schille

Private Collection

Robert Chadeayne (1897-1981)
“(Horse Grazing in Dappled Sunlight)”, c. 1930
Oil on panel
14 x 20 inches

P.O.R.

James A. Weber (1882-1958)
“Sunlit Church and Trees”, circa 1915-20
Oil on panel
8 x 10 inches

P.O.R

James Thurber (1894-1961)
"Au Quatrieme" , Circa 1940
Ink on paper
14 x 9 inches
Signed lower left: Thurber
Published: Thurber & Company

P.O.R.

James Thurber (1894-1961)
"I haven't got a fever I tell you!", circa 1935
Ink on paper
8 1/2 x 11 inches
Signed lower right: Thurber

P.O.R.

James Thurber (1894-1961)
"I'd give the world to be sultry", 1945
Graphite on paper
18 x 21 inches
Signed lower right: James Thurber
18 x 21 inches
New Yorker stamp verso

Published: The New Yorker, September 22, 1945

Provenance: Rosemary Thurber (the Artist’s daughter)

P.O.R.

James Thurber (1894-1961)
"I've always wanted to get just the least bit tipsy in the Jumble Shop", 1945
Graphite on paper
30 1/2 x 39 inches
Signed lower right: Thurber
Published: The New Yorker, May 9, 1942

P.O.R.

James Thurber (1894-1961)
"Inspiration"
Ink
8 1/2 x 11 inches
Estate Stamped

P.O.R.

James Thurber (1894-1961)
"Professor Townsend is really too high strung to be a Philosopher", 1943
Graphite on paper
24 1/2 x 35 1/4 inches
Signed lower right: James Thurber
Published: The New Yorker, January 23, 1943

P.O.R.

Out of gallery

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